HIP HOP ELEMENTS AND TIMELINE

THE FACTS OF MYTH OR THE MYTH OF FACTS
There was once a time when artist displayed great talent.
A time when creativity was the root of artistic display.
Music and culture was pure, transmitted to succeeding generations.
Those without skill were stilled and the true artist inspired to build.
As this world enters the New Age Hip Hop is in need of a new page.
Elements broken in the last stage but from this point on elements engage.
This applies to all Break Dancers, Mc's, Singers, Dj's, Graf Artist,
Producers, Promoters, Actors, Freestylers, Managers, A&R's WorldWide!
The Stylordz Network seeks to perserve core principals in art and culture.
An Axis Of Enlightment.

STYLE = (A keen manner of expression)__ LORD = (A preeminent master)
HIP HOP = (An elemental culture)__ NETWORK = (An interconnected group or system)
Written by: P.J Vincent, (TRX-v) For Underlined Magazine. (see underlinedmagazine.com) What is Hip Hop? The New Age expression of black (ghetto) culture. Containing all elements of artistic expression. Over the years as the culture gained worldwide popularity through the media, the essence has been overshadowed. The culture has been through various stages of existance and still growing. Most fans are unaware of the Golden Age of Hip Hop. This time was strong and we had controll of our expression. Creativitly and politcally it became an agent of exposure and to some if bacame an agent of escape. Like other cultures Hip Hp has many aspects (knowledge, wealth etc...) but the wealth factor has been taken to the extreme. The 1970's basically represent birth and formation. The elements were established and the body of Hip Hop ready to take stage in the world. the 1980's made noize opening the doors connecting ghetto life with the world. This is labeled the Golden age. During this decade many have been inspired to creativly expand all horizons atisticly and politically. The 1990's is the foundation age as this is the time when real street entreprenureship entered the culture on a grand scale. Although lacking the skill level of the Golden age the foundation age brought success financially bring ghetto business to the corprate level. people like puffy and master P although not our most talented in the arts, still support and are a part of Hip Hop culture. Up untill now we have seen Hip Hop exceed the barriers set by the establishment to restrict it. (a problem rarely addressed by MC's and others) Most people are unaware of the earlier struggles of during the formation and Golden age. In my opinion "rap is only accptable to the Media giants when it is not pure and intellectual""Rap is only entertainment and nothing deeper" This is what they want us to accept. They? Who are They? The record companies and media giants that promote rap music in there view and likings. Putting what they want it to be at the forefront representing our image. Rap is a success, Hip Hop is still missunderstood. During the golden age a rapper couldnt think of going on stage alone and talking only about bling bling and sing sing. THe audiance would get on the stage and fling fling him off the stage. Mc's such as Krs One and Rakim etc... are replaced because they are two focused and intelligent. Too much leadership. Most say that it is what the people want to here and theres nothing to it. But most also dont realize the record labels control whats in or out of style not the people. The people will adapt blindly to what is popular. It happens everywhere. If they wanted Hip Hop to have a positive outcome or image it would. That is not there intention. "Kill two birds with one stone by profiting of anothers suicidal path" thats there code. Believe it or not. Do you remember the "Planet rock" song. To me it represented the early formation age when claimed to take over the world. And it has expanded since so "Planet rock" did its job. Now is the new millenium. Hip Hop must come home to its core. We must take back control of our image, our music and our culture. During this stage we must accept the many aspects of Hip Hop culture and embrace it. (all of it) A re-birth and Re-formation stage is needed. All lessons of the 3 previous stages combined. Then Hip Hop can wake up the sleeping giant within us all. These are insights I have gained through my experience in Hip Hop culture. Stylordz is the science of Hip Hop. Containing the following elements. Tuesday, January 27, 2004, 2:01:02 PM in Steel city.
TRX-V Capital Architect and Founder of the Stylordz Hip Hop Network.

FOUNDATION: founders of Hip Hop. Birthplace: Bronx New York city.
DJ KOOL HERC, AFRIKA BAMBAATAA, GRANDMASTER FLASH.
“HIP-HOP HISTORY MONTH” The Universal Zulu Nation calls on the World to recognize the whole month of November as HIP-HOP HISTORY MONTH! The official birthday of the Universal Zulu Nation is November 12, 1973.The official birthday of Hip-Hop is November 12th, 1974. With consideration to the above mentioned dates, nothing makes more sense than to celebrate Hip-Hop culture and it's history during November, which is exactly what the Universal Zulu Nation has been doing for over 30 + years. November is also significant in the fact that it kicks off the "indoor jam season". The Hip-Hop community jams, enjoyed outdoors in the parks, throughout the Summer, had to move indoors for about 7 months to community centers, gymnasiums, schools etc. for the Fall and Winter seasons. The Hip-Hop World should recognize this month and pay tribute to those who laid the foundation and paved the way as well as to those who continue to preserve the rich tradition of the culture. Of course, The Zulu Nation appreciates all efforts to preserve the whole of Hip-Hop culture, including any days or weeks set aside to conscientiously appreciate Hip-Hop, but would rather that all of these days and weeks combine to celebrate in unity every November as the tradition has been since the beginning of this culture. Founded by the godfather of Hip-Hop himself, Afrika Bambaataa. The Universal Zulu Nation is the world's oldest, largest and most respected grass roots Hip-Hop organization world wide. It's members and supporters are Hip-Hop's most famous and legendary artists. True school enthusiasts travel from all around the world to be in New York City, in November, for the annual Zulu Nation Hip-Hop Anniversary, “the only true Hip-Hop Anniversary since the beginning”. The Anniversary hosts a positive Hip-Hop community coming together from all walks of life to celebrate the true essence and excitement of what Hip-Hop was meant to be. Many artists who have donated their performances to help raise funds at Zulu Hip-Hop Anniversaries have gone on to become legends and many of these legends continue to return to NYC, in November, to give back to the core community who supported them since their careers began. A Little Background Information: In the early years of the culture, the movement went untitled until Afrika Bambaataa, coined it "Hip-Hop", which was a term originally created by “Love bug Starski” which he used in his rhymes. In the 70's, ten years prior to it's gaining global recognition, Hip-Hop was a celebration of life gradually developing each of it's elements to form a cultural movement. Due to it's energy, dynamics, and momentum, Hip-Hop culture has become, ultimately, a key to upliftment and reformation, as well as a billion-dollar industry. From the 80's on, the Rap industry and media have helped to make the terms "Hip-Hop" and "Rap" synonymous, leaving out the other elements included in the culture. In light of this enormous oversight, the Universal Zulu Nation promotes the "5th element" of Hip-Hop, which is KNOWLEDGE, and actively tries to educate the masses about the history and foundational elements of true Hip-Hop culture. Bambaataa declared "When we made Hip-Hop”, we made it hoping it would be about peace, love, unity and having fun so that people could get away from the negativity that was plaguing our streets (gang violence, drug abuse, self hate, violence among those of African and Latino descent). Even though this negativity still happens here and there, as the culture progresses, we play a big role in “conflict resolution and enforcing positivity." Hip-Hop is the Vehicle to Deliver Innumerable Lessons! The Universal Zulu Nation doesn't believe that Hip-Hop heads should just have knowledge of Hip-Hop. He promotes and proves that Hip-Hop can be used as a vehicle for teaching awareness, knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, responsibility and recreation, overcoming challenges, economics, mathematics, science, life, truth, facts and faith. The Elements: Hip-Hop culture is defined as a movement which is expressed through various artistic mediums which we call "elements". The main elements are known as MC'ing (Rapping), DJ'ing, WRITING (Aerosol Art), SEVERAL DANCE FORMS (which include Breaking, Up-Rocking, Popping, and Locking) and the element which holds the rest together is KNOWLEDGE. There are also other elements such as Vocal Percussion/Beat Boxing, Fashion, etc. Within the past 20+ years, Hip-Hop culture has greatly influenced the entertainment world with its creative contributions in music, dance, art, poetry, and fashion. Due to their lack of knowledge about the whole of Hip-Hop culture, many of our world's youth are mistaken in thinking that activities such as: smoking blunts, drinking 40's, wearing a designer label plastered across their chest, carrying a gun, or going to strip clubs, are "Hip-Hop". Hip-Hop is being portrayed negatively by many artists who work in the element of Rap (emceeing), and this negativity is usually instigated and promoted by the record industry and various other corporations who exploit the culture at the expense of the youth's state of mind and morality. The Universal Zulu Nation believes there is a difference in speaking out about negativity (activism) and promoting it as a desirable lifestyle. Gangsters, pimps, playas, hustlers, niggers, spics, and many other derogatory words once used against us are now self employed in our everyday vocabulary. Our ancestors who have fought and died trying to free us from these sicknesses and slave mentality are probably turning over in their graves! The Zulu Nation asks you to just think about this, "How in the hell did we turn from GODS to dogs?" The Universal Zulu Nation encourages you to do more research about our story, his/her-story, and what you think is your mystery is actually your history. Where are our Hip-Hop thinkers, lawyers, holistic doctors, scientists, agriculturalists /herbalists, revolutionaries, politicians, judges, researchers, teachers, police, army, accountants, anthropologists, etc. Where is our own Hip-Hop Museum? Many talk the talk but don't walk the walk. Many straight out sell-out to the liberation of our people as well as to all humans on the planet so called Earth! He also encourages you to do research on any Hip-Hop organization that deals with consciousness and the upliftment of all people. To all those who purposely make up your own history and lie about the culture- DO YOUR RESEARCH! Universal Zulu Nation Supreme World Council PS As we say in Zulu - respect the many UNIVERSES and especially MOTHER EARTH. THE 5TH ELEMENT OF HIP-HOP CULTURE KNOWLEDGE, CULTURE, OVERSTANDING FACTOLOGY VS. BELIEFS

THE FOLLOWING PARAGRAPH'S EXLPLAIN
THE 5 KEY ELEMENTS IN HIP HOP CULTURE.

Download --- HIP HOP...(RMX) --- NOW!
Download --- KRS ONE REMARKS ON HIP HOP --- NOW!

DJ'z
(1) The DJ is responsible to select music and play it to listeners. True DJ'z are Turntablist because they take the art many steps further and perform their task with skilled cuts and scratches etc... You find DJ'z at the night club, radio stations or in DJ competitions where they can measure their abilities. Also many artist include DJ'z in shows & video's.

Break dance
(2) The break dancers confronts limitations in the dance sphere by using the body to move, bend and freeze in patterns known to no other dance style. A skilled dancer is energized by vibes and innovates new steps. The art of break dancing is unique. You find breakaz in night clubs, music videos or in break dance warz where they can measure their abilities.

Grafix
(3) The grafix artist enters the relm of imagination being able to draft pictures to any thought. Expressing themselves through paintings. Skilled grafix artist do their works in detail causing viewers to think of what they are actually looking at. Grafix is an essential element in Hip Hop fashion. You find grafix on clothing, throught out the cities and at grafix competitions where the artist can measure his or her abilities.

MC'z
(4) The MC provides the message either positive or negative to listeners. There is a clear difference between an MC and a Rapper. An MC is a mic controller, the master of ceromonies who can move the crowd, entertain and freestyle on the spot. rappers are produced for commercial purposes and skill isnt nessisary tho some rappers retain a certain degree of skill. The easiest way to compare the rapper with the mc is like saying "reliance on image vs reliance on skill". Both bring forth the mind state of the culture's current trends. The MC also marks the potential for political power or influence. An MC can easily react spontaneously to situations and skillfully handle the matter at hand, where as Main stream rappers may scorn such activities to reduce the chances of humiliation. You see and hear MC'z (or Rappers) by purchasing products, watching concerts and music videos.

Central
(5) The final key element in Hip Hop are the prime movers and grand contributers providing leadership, management and advertising skills. (some examples are: Kool Herc, Afrika Bambattaa, Russel Simons, Krs one, Crazy leggs, Eazy-E etc...) Organizers, promoters and producers equally contribute to this culture facilitating all activities. It is these individuals who complete the circle of Hip Hop by providing the ground work for all who have become successful in Hip Hop. You find these people at studios, events, record labels etc... Most times members of the other elements also contribute to the 5th stage of Hip Hop culture. Examples are Krs one; an MC / Founder of The Temple of Hip Hop, and Crazy legs; a Break dancer / CEO of Rock steady crew enterprise. (Jay-Z, Puffy and Master P are examples of certain aspect of this element blending business and artistic talents expanding the scope of this culture).

The below elements are additional branch expressions of the above elements.
(Amounting to 9 elements in total)

BEATBOXIN, STREET FASHION, STREET LANGUAGE,
STREET KNOWLEDGE, STREET ENTREPRENEURIALISM.

Hip Hop is the back bone to many other music styles on the market today but is
not widely accepted or respected by artist and corporations that borrow (copy)
this culture. Bitting is not part of the culture but learning is.
The following paragraph discusses an element that is not a part of this culture.
But some are trying to install it.
???HIP HOP POLICE????
“Police Secretly Watching Hip-Hop Artists” Rap artists and others associated with hip-hop culture have long complained of being targets of police harassment. Special Police units is dedicated to hip-hop surveillance. Police officials shun the reports. They insist hip-hop cops are a small part of the intelligence division’s gang unit and they simply try to seize potential violence that seems to follow ths culture. These specialized police units 1st started to targeting rappers and industry executives secretly. Now that the Hip Hop intelligence units have expanded nationwide (Atlanta, Miami, New York, Detroit, L.A. etc...), they plan to expand focusing black hip hop artists. The hip-hop community is aware of an elite "hip-hop police force" or "rap task force" whose duties include tailing rappers' vehicles, monitoring their lyrics."This is racism or racial profiling" and instigation.

THE TIMELINE OF HIP HOP CULTURE
1940 HIP HOP MUSIC IN JAMAICA THE 1940'S THOMAS WONG BETTER KNOWN AS "TOM THE GREAT" SABASTIEN BEGAN USING A BOOMING SOUND SYSTEM AND AMERICAN RECORDS TO STEEL CROWDS FROM LOCAL BANDS. 1950 HIP HOP MUSIC COMPETITIONS BETWEEN TO MAJOR DJ'S IN JAMAICA LEADS TOTHE "SOUND CLASH" COXSONE DODD'S "DOWN BEAT" -VS- DUKE REID'S "THE TROJAN" THESE DJ'S BATTLE IT OUT WITH EXCLUSIVES AND SPEACIALS 1956 HIP HOP CLIVE CAMPBELL OTHER WISE KNOWN AS "DJ KOOL HERC" WAS BORN IN KINGSTON JAMAICA, AND WOULD EVENTUALLY BE KNOWN AS THE FATHER OF HIP HOP CULTURE WRITING (GRAFF) "VAUGHN BODE" CREATES THE "CHEECH WIZARD CHARACTER "THAT BECAME FAMOUS WITH WRITERS ALL OVER THE WORLD 1959 HIP HOP THIS IS A SECTION OF A PARAGRAPH TAKEN FROM: "The evolution of rap music in the United States by Henry A. Rhodes", WITH REFERENCES TO: Steven Haver in his book, "Hip Hop; the Illustrated History of Break Dancing, Rap Music and Graffiti," In 1959 Parks Commissioner Rober Moses began building an expressway through the heart of the Bronx. As a result, the middle class Italian, German, Irish, and Jewish neighborhoods disappeared overnight. In addition, businesses and factories relocated and left this borough. These exiting middle classes and businesses were replaced by poor black and Hispanic families. Accompanying these poor people were crime, drug addiction, and unemployment. 1962 HIP HOP MUSIC "JAMES BROWN" RECORDS THE "LIVE AT THE APOLLO (LP)" THAT FEATURES A DRUMMER NAMED "CLAYTON FILLYAU". CLAYTON'S DRUM SOUND ON THIS RECORD, INFLUENCES THE NEW DRUM SOUND KNOWN TODAY BY HIP HOPERS AS THE "BREAK BEAT" 1965 WRITING/GRAFF AROUND THIS TIME BROTHERS LIKE CORNBREAD OUT OF PHILADELPHIA WERE STARTING THE WRITING/ GRAFF MOVEMENT 1967 HIP HOP KOOL HERC MIGRATES TO THE BRONX FROM JAMAICA AT AGE 12 HE WOULD EVENTUALLY ATTEND ALFRED E SMITH HIGH SCHOOL, AND BECAUSE OF HIS SIZE AND THE FACT THAT HE WORKED OUT ALLOT. KIDS WOULD REFER TO HIM AS HERCULES, AND EVENTUALLY HE WOULD BECOME A WRITER AND CHANGE HIS NAME TO KOOL HERC HIP HOP /FUNK DANCE OAKLAND NATIVE "IRON MAN" (ALBERT MILTON) PERFORMS ON LOCAL "JAY PAYTON" TVSHOW. HIS STYLE WAS CONCIDERED A COMBINATION OF THE JAMES BROWN SKATE WITH ELEMENTS OF PANTOMIME, WHICH WOULD LATER BE THE FORGROUNDS TO MANY OF THE FUNK STYLE DANCES. AUDIONAUGHTS.COM 1968 HIP HOP AROUND THIS TIME A GANG BY THE NAME OF THE SAVAGE SEVEN WOULD HIT THE STREETS OF THE EAST BRONX AND EVENTUALLY BECOME THE BLACK SPADES, THEN THE ORGANIZATION , AND ULTIMATLY THE ZULU NATION HIP HOP MUSIC OCT. 29'th "JAMES BROWN" RECORDS A BBOY ANTHEM "GIVE IT UP OR TURN IT LOOSE" WITH "NATE JONES" ON THE DRUMS (KING RECORDS) HIP HOP/ FUNK DANCE AROUND THIS TIME A BROTHA BY THE NAME OF "RUBBER BAND" ALONG WITH ANOTHER BROTHA BY THE NAME OF "APACHE" , BOTH FROM BROOKLYN, TOOK A POPULAR NEW YORK CITY GANG DANCE AND BROUGHT IT TO THE NYC DISCOS AND THUS WAS BORN THE DANCE WE KNOW TODAY AS "UPROCKIN", "ROCKIN", AND BECAUSE OF HOW BROOKLYN WOULD MASTER THIS DANCE, WE WOULD LATER CALL IT "THE BROOKLYN ROCK"UNITEDUPROCKERS 1969 HIP HOP MUSIC OCT. 1st "JAMES BROWN" RECORDS THE FAMOUS SONG "SEX MACHINE" WITH "JOHN STARKS" ON THE DRUMS (KINGRECORDS) NOV. 20'th "JAMES BROWN" RECORDS THE CLASSIC "FUNKY DRUMMER" WITH THE FAMOUS "CLYDE STUBBLEFIELD" ON THE DRUMS (KING RECORDS) 1970 HIP HOP MUSIC THE LAST POETS PUT OUT THERE FIRST SELF TITLED ALBUM ON DOUGLAS RECORDS. THEY EVENTUALLY MAKE AN IMPACT ON HIP HOP CULTURE DEEJAY U-ROY HOTS JAMAICAN POP CHARTS WITH 3 SONGS IN THE TOP TEN, FEATURING A STYLE KNOWN AS "TOASTING" ONE OF THE FOUNDATION FOR WHAT WOULD SOON BE CALLED MCing (RAP) HIP HOP/ FUNK DANCE DON CAMPBELLOCK a Trade Technical College student accidently stumbles across creating a dance called "CAMPBELLOCKING" wich will eventually be featured on SOUL TRAIN and take the world by storm. AROUND THIS TIME IN OAKLAND CAL. GROUPS LIKE "THE BLACK MESSENGERS" AND "THE BLACK RESURGENCE" (GROUPS THAT PERFORMED FOR THE BLACK PANTHERS AND RALLIES DEALING WITH THE BLACK POWER MOVEMENT) WERE DEVELOPING AND INNOVATING A STYLE OF DANCE BASED ON R.O.T.C . DRILLS TO MUSIC, THEY WOULD ALSO CREATE A STYLE CALLED CATCH ON THAT WOULD FURTHER ADVANCE THERE STYLE OF ROUTINES. THESE ARE THE MORE GROUND WORKS TO STICKIN, STEPIN, AND MANY OTHER FORMS OF FUNK DANCE. 1971 HIP HOP MUSIC "ARETHA FRANKLIN" RECORDS THE FAMOUS BBOY SONG "ROCK STEADY" WITH "BERNARD PURDIE" ON DRUMS WRITING/GRAFF AROUND THIS TIME A YOUNG GREEK KID GOT INSPIRED BY SEEING "JULIO 205" TAG, THE HE DECIDED TO PUT HIS NICK NAME NEXT TO A 183 STREET SIGN AND THUS WAS BORN THE FAMOUS "TAKI 183" "TAKI 183" DOES AN INTERVIEW FOR THE NY TIMES WHICH SETS OFF A WRITING SPREE 1972 HIP HOP MUSIC MAY 9'th "JAMES BROWN" RECORDS A SONG THAT WAS A LINK TO BBOYIN " GET ON THE GOOD FOOT" WITH DRUMMER " JOHN STARKS" JIMMY CASTOR BUNCH RELEASE A BBOY ANTHEM "IT'S JUST BEGUN" (RCA) RUFUS THOMAS RELEASES "DO THE FUNKY PENGUIN" (STAX) WRITING (GRAFF) EVA62,HARRY89, JUNIOR161, CAY161, AND CC10 PAINTED WHAT IS PROBABLY THE BIGGEST PAINTINGS TO DATE ON A BRAODWAY LINE SUBWAY STATION. THE SOUL ARTISTS CAME TO GHETTO FAME Tracy 158, Futura 2000 and Ali "SUPERKOOL223" DID WHAT IS NOTED AS THE FIRST "MASTER PIECE" HE WOULD FURTHER HIS PIONEERING ACCOMPLISHMENTS WITH WHAT WOULD BE THE FIRST TOP TO BOTTOM PIECE (" HONDO" ADDED TO THIS ACCOMPLISHMENT AS WELL), SUPER KOOL ALSO PUT THE FIRST OVEN CLEANER CAP ON A SPRY CAN TO MAKE WIDER SPRAYING. THUS WAS BORN THE PHAT CAP HUGO MARTINEZ STARTS UNITED GRAFFITI ARTISTS TRACY 168 THE INVENTOR OF THE WORD "WILD STYLE" STARTS A MAJOR WRITING CREW CALLED "WANTED" HIP HOP/ FUNK DANCE THE BLACK MESSENGERS PERFORM ON THE "GONG SHOW". BUT BECAUSE OF THE CONTRAVERSY OVER THERE NAME, THEY WERE ONLY ALOWED TO PERFROMUNDER THE ALIAS "MECHANICAL DEVICES". SOUL TRAIN TAKES OFF ON TV 1973 HIP HOP / HIP HOP MUSIC "DJ KOOLHERC'S" FIRST JAM 1520 SEDGWICK AVE. ,BRONX, NYC IT WOULD BE FOR HIS SISTERS BIRTHDAY PARTY HIS STYLE OF MUSIC WAS MADE TO GET THE CROWD JUMPIN, HE DID THAT BY BUYING TO COPIES OF EACH RECORD AND ELONGATING THE BREAK PART (THE FUNKY DRUM SOLO SECTION) OF THE RECORD BY MIXING IN BOTH RECORDS BEFORE THE BREAK WOULD END. THUS WAS BORN WHAT WE CALL TODAY "BREAK BEATS' THE REGGAE MOVIE "THE HARDER THEY COME" STARING JIMMY CLIFF FEATURES THE TALENTED "SCOTTY" TOASTING ON THE SOUNDTRACK. "THE ZULU NATION" WAS FOUNDED BY A YOUNG STUDENT OF STEVENSON HIGH SCHOOL, IN THE BRONX NAMED "AFRIKA BAMBAATA" ORIGINAL A BBOY CREW CALLED THE "ZULU KINGS" HERCS FIRST DJ JOB AT A CLUB CALLED THE TWILIGHT ZONE BOB MARLEY AND THE WAILERS RELEASE THERE BREAKTHROUGH LP "CATCH FIRE" THE JAMAICAN GROUP MICHAEL VINER'S THE INCREDIBLE BONGO BAND RELEASE A BBOY ANTHEM WITH THE HIP HOP HIT RECORD "APACHE" (PRIDE RECORDS) ON THE "BONGO ROCK" ALBUM THIS ONE TIME MOTWON SESSION GROUP WICH WAS RUMMORED TO HAVE BEEN THE BAND BEHINDTHE TEMPTATION'S "CLUOD NINE" WOULD MAKE A COVER OF THE SHADOW'S "APACHE" AND BLOW IT UP TO ONE OF THE GREATEST (IF NOT THE GREATEST) BBOY ANTHEM OF ALL TIME THE RECORD "HUSTLERS CONVENTION" WAS RECORDED BY LIGHTNIN ROD OF THE LAST POETS WRITING (GRAFF) NEW YORK MAGAZINE DOES AN ARTICLE ON WRITING THAT FEATURED A DRAWING DONE IN BUFFALO MARKERS BY "SNAKE1" AND AN "EL MARKO" TAG OUTLINED WITH A BALL POINT PEN BY "STAY HIGH" WHICH HELPED TO SPARK THE USE OF BLACK BOOKS. AND GIVES AN AWARD TO TAKI FOR BEST PIECE. HIP HOP/ FUNK DANCE AROUND THIS TIME YOUNG DANCERS WOULD HIT THE PARTIES THAT KOOL HERC WAS PLAYING AT AND THE MUSIC THAT HERC PLAYED INSPIRED THESE YOUNG CATS TO DO MOVES THAT WOULD LAY THE FOUNDATION FOR HIP HOP DANCE. HERC SEEING THESE YOUNG DANCERS WOULD EVENTUALLY CALL THEM "BBOYS" (AS WELL AS PEOPLE WHO WOULD SHOW UP TO JAMS AND BREAK SH&T UP) WHICH WOULD LATER BE INTERPRETED AS BREAK BOYS, BEAT BOYS, OR BRONX BOYS. SUCH NOTABLE DANCERS WERE KLARK KENT, THE NIGGA TWINS, SAU SAU, TRICKSIE, JAMES BOND, THE AMAZING BOBO, EL DORADO MIKE, AND MANY MORE. SOMEHWERE DURING THIS ERA A LEGENDARY BATTLE TAKES PLACE BETWEEN TWO OF THE TOP BBOYS OF ALL TIME. SAU SAU -VS- TRICKSIE THE OUT COME WAS SAID TO BE SAU SAU WINNING IN A GREAT BATTLE 1974 HIP HOP MUSIC JUL.17'th "JAMES BROWN" RECORDS THE SONG THAT BECAME THE FOUNDATION FOR DRUM PROGRAMING FOR RAP RECORDS. "FUNKY PRESIDENT" WITH "ALLAN SCHWARTZBERG" ON THE DRUMS AROUND THIS TIME ONE OF HIP HOP'S ALL TIME CROWD PLEASER DJ/ MC'S "LOVE BUG STARSKI" STARTED MAKIN REFERENCES TO THIS CULTURE USING THE WORDS "HIP HOP" ACCORDING TO LEGENDS LIKE "BAMBATTA", STARSKI IS ONE OF THE PEOPLE RESPONSIBLE FOR THE WORD HIP HOP AS A SLANG AND A NAME FOR THIS CULTURE. WRITING (GRAFF) NYC's MTA FIGHTS BACK AGAINST WRITING BY STARTING A WAR ON GRAFF HIP HOP AND FUNK DANCE MICHEAL JACKSON DOES HIS FAMOUS ROBOT TO "DANCING MACHINE" 1975 HIP HOP HERCS GETS A JOB DJ'ING AT THE CLUB HE WAS AFTER. THE" HEVALO CLUB" IN THE BRONX AROUND THIS TIME HERC WOULD GET A BROTHA BY THE NAME OF COKE LA ROCK TO SAY CROWD PLEASER RHYMES ON THE MIC WHICH WOULD THEN LAY THE FOUNDATION FOR MC'IN OR LATER KNOWN AS RAP HIP HOP MUSIC "DJ GRAND WIZARD THEODORE" INVENTS THE SCRATCH WHILE TRYING TO HOLD A RECORD IN PLACE WHILE HIS MOTHER WAS YELLING AT HIM. THE NEEDLE WAS STILL ON THE RECORD SO IT MADE THAT SHIGA SHIGA SOUND WHICH HE LATER ON TURNED INTO THE SCRATCH. WRITING/GRAFF GRAFF CULT HERO, AND UNDERGROUND COMIC BOOK LEGEND "VAUGHN BODE" DIES, BUT HIS LEGEND WILL LIVE WITH GRAFF WRITERS FOR ETERNITY 1976 HIP HOP THE MERCEDES LADIES WERE FOUNDED, THEY WOULD PAVE THE WAY FOR FEMALE MC'S Baby D, Sherri-Sher,RD Smiley,Zina-Zee,DJ LaSpank,Eve-a-Def The Mercedes Ladies were the sister group to the Original L'Brothers. DJ Grandwizard Theodore, Mean Gene, Busy Bee Starski, (not Lovebug) Ruby Dee, Waterbed Kevie Kev, Master Rob. We were DJ Baby Dee, DJ RD Smiley, DJ La Spank, MC Sherri-Sher, MC Eve-a-Def, MC Zina Zee. We became honorary Zulu Queens in 1978 because the Queens had beef with us and thought we didn't respect Lisa Lee. (Not True.. We dug Lisa) Bam deaded that by making us ZULU Queens so there could never be beef... DJ AFRIKA BAMBAATAA PLAYS AT THE BRONX RIVER CENTER TDK, TBB, AND ROCKWELL -VS- STARCHILD LA ROCK (FEATURINGTRAC 2, SPY AND JOJO) WITH THE HELP OF JOJO AND SPY'S PATTENTED SHOE SHINE RUTENE, STARCHILD TOOK THE BATTLE 1977 HIP HOP MUSIC THE CRASH CREW WAS FORMED IN HARLEM NEW YORK. E.K. Mike C,La Shubee, Barry Bistro, G-man, Reggie Reg, DJ Darryl C. DJ KOOL HERC WAS NEARLY STABBED TO DEATH AT ONE OF HIS PARTIES PARLIAMENT RELEASES THE FUNK HIT "FLASHLIGHT" (CASABLANCA) KRAFTWERK A GERMANBAND RELEASES THE FAMED SONG TRAN EUROPE EXPRESS WHICH WOULD LATER BE THE FOUNDATION FOR AFRIKA BAMBAATAA'S ELECTRO FUNK SOUND WRITING/GRAFF THE TRANSIT AUTHORITY STARTS A MAJOR BUFF IN A CONEY ISLAND TRAIN YARD WITCH WOULD COST THEM $400.000.00 ANNUALLY. THEY USED A CHEMICAL MIX OF PETROLEUM HYDROXIDE. WHICH WAS REFEREED TO AS ORANGE CRUSH BY WRITERS (NAMED AFTER AGENT ORANGE, WHICH WAS USED IN THE VIETNAM WAR) HIP HOP/FUNK DANCE THE FAMED "ROCK STEADY CREW" WAS FORMED BY ORIGINAL MEMBERS "JOJO", "JIMMY DEE" AROUND THIS TIME A PIONEERING GROUP FROM WHICH A BROTHA BY THE NAME OF" BOOGALOO SAM" (WHO CREATED THE DANCE CALLED POPPIN AS WE KNOW IT TODAY WITH IT'S ROOTS IN THE WEST COAST FUNK STYLES THAT CAME BEFORE THEM ) ALONG WITH MEMBERS TICKIN WILL, SCARECROW SCALLY, CREEPIN CID, POPIN PETE, TWISTI FLEX DON, PUPPET BOOZER, ROBOT DANE, SKEETER RABBIT, AND MANY OTHERS, THEY FORMED THE GROUP "THE ELECTRIC BOOGALOOS" (note: also...POPPIN is reffered to as the continous flexing of the muscles to the beat...not waving, tutting, botting, filmore, strutting, sacing, or other styles that SAm and the EB's did not create) 1978 HIP HOP MUSIC THE DISCO FEVER OPENS IT'S DOORS AND BEACOMES A POPULAR HIP HOP CLUB IN THE BRONX WHIPPER WHIP AND DOT ROCK FORMED A GROUP CALLED "THE GESTAPO CREW", WHICH WOULD LATER LEAD THEM TO CREATING ONE OF THE GREATEST MC CREWS OF ALL TIME "THE FANTASTIC FIVE MC'S" Grand Wizard Theodore (Theodore Livingston) Waterbed Kev (Kevin Strong) Master Rob (Robin Strong) Dot-A-Rock (Darryl Mason) Prince Whipper Whip (James Whipper) Ruby Dee (Rubin Garcia) A COMPANY NAMED ROLAND CREATES THE 808 DRUM MACHINE HIP HOP DANCE "BREAKIN/ BBOYIN" BEGINS TO DIE DOWN IN THE BRONX AND MANHATTAN GHETTOS. AROUND THIS TIME "THE ELECTRIC BOOGALOOS" WOULD DO A PERFORMANCE ON "SOUL TRAIN" THAT WOULD EXPLODE ALL OVER THE WORLD, WHERE EVEN A YOUNG MICHAEL JACKSON WOULD EVEN ASK THEM TO TEACH HIM. 1979 HIP HOP MUSIC GRAND MASTER FLASH FORMS ONE OF THE GREATEST MC CREWS OF ALL TIME "GRAND MASTER FLASH AND THE FURIOUS FIVE MC'S" Grandmaster Flash (Joseph Saddler) Melle Mel (Melvin Glover) Kidd Creole (Nathaniel Glover) Cowboy(Keith Wiggins) Rahiem (Guy Williams) Mr. Ness aka Scorpio (Eddie Morris) ANOTHER ONE OF THE GREATEST MC GROUPS OF ALL TIME WAS FORMED "THE COLD CRUSH FOUR" CHARLIE CHASE, TONY TONE, GRAND MASTER CAZ, EASY AD, JDL, AND ALMIGHTY KG (SPRING) FIRST RAP RECORD EVER RECORDED BY A NON RAP GROUP "KING TIM III (PERSONALITY JOCK)" BY THE FATBACK BAND FIRST RAP HIT RECORD "RAPPERS DELIGHT" BY THE SUGARHILL GANG FIRST HIP HOP RADIO SHOW "MR. MAGIC'S DISCO SHOWCASE WHBI" IN NYC THE MC GROUP FUNKY FOUR PLUS ONE MORE IS FORMED KK Rockwell (Kevin Smith) Keith Keith (Keith Caesar)Lil'Rodney Cee (Rodney Stone) Jazzy Jeff (Jeffrey Myree) Sha Rock (Sharon Green) THEY WOULD LATER RELEASE TWO CLASSIC SONGS "RAPPIN AND ROCKIN THE HOUSE" AND THE ALL TIME GREAT "THATS THE JOINT" WRITING/ GRAFF "MARK BODE" (THE SON OF LEGENDARY ARTIST "VAUGHN BODE") STARTS WORKING AT AGE 15 FOR HEAVY METAL MAGAZINE AND CONTINUES HIS DADS LEGACY HE ALSO STAYS CONNECTED WITH THE GRAFF WORLD THAT EMBRACED HIS FATHER AS WELL AS HIS OWN WORK. VAUGHN & MARK BODE HIP HOP/FUNK DANCE A YOUNG CRAZY LEGS AND HIS COUSIN LENNY LEN BATTLE JIMMY DEE (THE ORIGINAL PRESIDENT OF ROCK STEADY CREW) AND JIMMY LEE TO GET INTO ROCK STEADY. THEY LOST BUT THE MADE IT IN THE CREW. AT THIS TIME IN THE BRONX "BREAKIN/ BBOYIN" IS CONSIDERED PLAYED OUT. BUT NOT FOR LONG. 1980 HIP HOP SAT. NOV. 15, JAM AT ECSTASY GARAGE FEATURING GW THE ADORE, FANTASTIC 5, KOOL DJ AJ, BUZY BEE STARSKI, MEAN GENE, GREGSKI, MERCEDES LADIES, FANTASY 4, EROTIC DISCO BROTHAS, AND MORE DEC/ 19 "A SLAM DUNK DISCO" JAM FEATURING SHA ROCK (OF THE FUNKY 4)-VS-LIL' BIT (OF THE MEAN MACHINE),AND GM CAZ (OF COLD CRUSH 4)-VS-CHIEF ROCKER STARSKI AND MORE. HIP HOP MUSIC ZAPP RELEASES A FUNK ANTHEM FOR POPPERS IN THE WEST COAST "MORE BOUNCE TO THE OUNCE" (WARNER BROS.) THE PUNK GROUP BLONDIE RELEASED THE RECORD "RAPTURE" WHICH FEATURED LEAD SINGER DEBBIE HARRY DOING WHAT SHE CONSIDERED RAP. BUT BY MAKING MENTION OF LEGIT HIP HOPERS AS FAB 5 FREDDIE AND GRAND MASTER FLASH, THE SONG IS WIDELY EXCEPTED IN THE HIP HOP COMMUNITY, AND HELPS TO FUSE THE PUNK AND HIP HOP SCENE TOGETHER. AFRIKA BAMBAATA RELEASED "ZULU NATION THROW DOWN PT. 1" ON PAUL WINLEY RECORDS WRITING/GRAFF FAB FIVE FREDDY PAINTS THE FAMOUS TOP TO BOTTOM "CAMPBELL SOUP CANS" ON THE IRT LINE SEEN PAINTED THE "HAND OF DOOM" TOP TO BOTTOM WHOLE CAR DONDI PAINTED "THE CHILDREN OF THE GRAVE" 2,3' TOP TO BOTTOM WHOLE CAR HIP HOP/ FUNK DANCE (THE NEW YORK POST REPORTS) THE HIGH TIMES CREW WAS ARRESTED FOR BBOYIN IN A WASHINGTON HEIGHTS TRAIN STATION. THE TALKING HEADS UTILIZE THE SKILLS OF ONE OF THE GREAT POPPERS OF ALL TIME "POPIN PETE" IN ONE OF THE FIRST MUSIC VIDEOS TO FEATURE A FUNK STYLE DANCER 1981 HIP HOP MUSIC FUNKY 4 PLUS ONE MORE MAKE THE FIRST NATIONAL TV APPEARANCE ON NBC'S SATURDAY NIGHT LIVE "COLD CRUSH 4" -VS-" FANTASTIC 5" AT HARLEM WORLD WITH FANTASTIC WINNING A CLOSE AND CONTROVERSIAL BATTLE GRAND MASTER FLASH RELEASES ONE OF THE GREATEST DJ RECORDS OF ALL TIME "THE ADVENTURES OF GRAND MASTER FLASH ON THE WHEELS OF STEEL" MARCH 6, "FLASH-VS-CRASH" JAM, AT THE AUDOBON BALLROOM ALSO FEATURING DJ AJ, AFRIKA BAMBAATA, SOULSONIC FORCE, COSMIC FORCE, AND FANTASTIC 5 DJ. WHIZ KID (RIP, NYC) WINS NEW MUSIC SEMINAR DJ BATTLE AT THE AGE OF 36 BOB MARLEY DIES OF CANCER GRAFF NOC PAINTED THE FAMOUS "STYLE WARS" TOP TO BOTTOM WHOLE CAR AN ART GALLERY CALLED "FASHION MODA" WAS UP AND RUNNING EXHIBITS ON 3RD AVE. IN THE BRONX FEATURING ARTISTS LIKE CRASH, LEE, DAZE, KEL, SHY 147 AND MANY MORE. Duro Cia becomes the first graffiti artist to be interview for a tv speacial channel 2 the summer 1981along with Crash and Lady Pink HIP HOP/ FUNK DANCE THE FAMOUS BATTLE ROCK STEADY CREW -VS- DYNAMIC ROCKERS AT LINCOLN CENTER, WHICH WAS COVERED BY "NATIONAL GEOGRAPHIC" THIS BATTLE HELPED BRING BBOYIN TO THE MAINSTREAM. ROD STEWART FEATURES A TOP LOCKER/ POPPER "COOL POCKETS" OF THE "CHAIN REACTION" DANCE GROUP IN HIS HIT VIDEO "YOUNG TURKS" 1982 HIP HOP ABC'S 20/20 PRODUCES AN EPISODE THAT TAKES A LOOK AT THIS NEW CULTURAL PHENOMENON NOW NAMED HIP HOP CULTURE BY AFRIKA BAMBAATA CHARLIE AHEARN FILMED "WILD STYLE" THE MOVIE THAT FEATURED HIP HOP IN IT'S PUREST FORM. WITH LEGENDS LIKE, ROCK STEADY, ELECTRIC FORCE, LOOSE BRUCE AND PAULIE GEE, DOUBLE TROUBLE, COLD CRUSH 4, FANTASTIC 5, BUZY BEE STARSKI, LEE, PINK, DAZE, CRASH, ZEPHYR, THE "ROXY ROLLER RINK" ON 18TH ST. IS TRANSFORMED INTO ONE OF THE GREATEST HIP HOP CLUBS OF ALL TIMES.PROMOTED BY "KOOL LADY BLUE" (MANEGER OF RSC). THIS CLUB WILL LINK THE DOWNTOWN CROWD ALONG WITH THE PUNK SCENE AND THREW IT IN WITH THE RUFF AND RUGGED HIP HOP SCENE. "THE NEW YORK CITY RAP TOUR" TAKES OFF FOR EUROPE AFRIKA BAMBAATA, ROCK STEADY, PHASE 2,THE DOUBLE DUTCH GIRLS, GRAND MIXER DST AND THE INFINITY RAPPERS, FAB 5 FREDDY,RAMMELLZEE, FUTURA 2,000, AND DONDI TAKE EUROPE BY STORM. THE FILMING OF THE UNDERGROUND EUROPEAN FILM "BREAKOUT" TOOK PLACE FEATURING THE ELECTRIC COMPANY, ELECTRIC FORCE, CRASH CREW, MC DEBBIE D, WANDA D, GRAND MIXER DST AND THE INFINITY RAPPERS HIP HOP MUSIC "KOOL MOE DEE" BATTLES AND HUMILIATES "BUZY BEE" AND BECOMES ONE OF THE MOST FAMOUS OLD SCHOOL BATTLES OF ALL TIME IN MAY AFRIKA BAMBAATA AND THE SOUL SONIC FORCE (MC GLOBE, POWWOW, AND MR. BIGGS) RELEASE THE FAMOUS RECORD "PLANET ROCK" ON THE TOMMY BOY LABEL, REPLACING THE MORE TRADITIONAL BREAK BEAT ERA WITH THE NEW KRAFTWORK STYLE MUSIC MIXED WITH HIP HOP CALLED "ELECTRO FUNK" GRAND MIXER DST(NYC) WINS NEW MUSIC SEMINAR DJ BATTLE GRAFF PRINT MAGAZINE FEATURES A SPREAD ON martha cooper PICTURES January 1982 the first over seas issue of print magazine show case graffiti artist which lee tf5 appear on the front cover. Duro, Dondi, Crash, Shy 147, Daze, Futrue, zephyr, haze, Ail soul artist the start of a globe graffiti movement. HIP HOP/FUNK DANCE ROCK STEADY PERFORMS IN THE ORIGINAL NIGHT CLUB "THE RITZ" ALONG WITH BOW WOW WOW, AND AFRIKA BAMBAATA AND THE JAZZY 5, ON THIS NIGHT RSC ALSO BECAME PART OF THE ZULU KINGS. ROCK STEADY CREW PERFORMED IN THE FAMOUS DISCO "STUDIO54" FOR THE FAMED ARTIST "ANTONIO LOPEZ" KIPPY DEE, RAVI, KING KIETH, FROSTY FREEZE, CRAZY LEGS, RIP 7, KEN SWIFT, MR FREEZE,AND ALSO MR WIGGLES IN HIS FIRST PERFORMANCE WITH RSC. KEN SWIFT AND CRAZY LEGS GET INTO AN ARGUMENT AT ROCK STEADY PARK, AND BATTLE IT OUT ON THE CONCRETE IN THE MIDDLE OF THE HALF COURT, PVERALL CONSENSUS: KEN SWIFT IMPRESSES THE ONLOOKERS WICH INCLUDE MEMBERS OF SALSOUL, AND SOME ROCK STEADY. ROCK STEADY CREW'S POPPIN SQUAD "THE ELECTRIC COMPANY" BATTLES DOUBLE TROUBLE'S "ELECTRIC FORCE" AT CLUB "NEGRIL" ELECTRIC COMPANY SIDE SIDE: KIPPY DEE, RAVI, KING KIETH, MR FREEZE, WIGGLES AND FABEL ELECTRIC FORCE SIDE: LIL SPUT, EASY AL, JESSIE, LIL MARKY CEE ROCK STEADY CREW SPLIT UP INTO TWO GROUPS, ONE HALF WENT ON TO FILM THE FAMOUS SCENES IN THE MOVIE FLASH DANCE THE OTHER HALF WENT ON TO FILM SCENES IN A MOVIE CALLED "PORTFOLIO" FEATURING THE WORLD RENOWN PUERTO RICAN FASHION ARTIST "ANTONIO LOPEZ" THAT WAS LATER SHELVED SUGAR POP FROM THE "ELECTRIC BOOGALOO" VISITS NEW YORK AND HOOKS UP WITH MR. FREEZE, MR. WIGGLES, FABEL, POWERFUL PEX, FLIP ROCK AND LIL LEP. FROM THERE THE CROSS COLLABORATIONS BETWEEN EAST AND WEST COAST DANCE BEGIN. IN WIGGLE'S HALLWAY IN THE BRONX THEY BEGIN TO TRADE INFORMATION AND DANCE STYLES , AND TAUGHT SUGAR POP ORIGINAL BBOY STYLES THUS MAKING HIM THE FIRST WEST COAST BBOY AND THE FIRST PERSON TO BRING BBOYIN TO CALI. 1983 HIP HOP THE "WILD STYLE TOUR" TAKES OFF FOR JAPAN FEATURING COLD CRUSH FOUR, ROCK STEADY CREW, FIRST EVER REAL HIP HOP SHOW TOURS LA, SPONSORED BY CELULOID RECORDS,FEATURING PHASE 2, DST, INFINITY RAPPERS, LIL LEP, MR WIGGLES, AND AFRIKA ISLAM. THE FABULOUS FUNK FANATICS PRESENT "BRONX HIGH SCHOOL ROCKATHON JAM" FEATURINGWHIZ KID (RIP), INFINITY RAPPERS, DEBBIE D, DST, DJ SWAN, NYC BREAKERS, COLD CRUSH 4, THE FORCE MC'S,GW THEADORE,FABEL AND WIGGLES, THE HERCULORDS AND MORE HIP HOP MUSIC "GRAND MIXER DST" LENDS HIS SKILLS TO LEGENDARY MUSICIAN HERBIE HANDCOCK TO RECORD THE TOP HIT "ROCKIT" THE SON OF BAMBATTA "DJ AFRIKA ISLAM" STARTS HIS OWN HIP HOP RADIO SHOW BASED ON ORIGINAL BREAK BEATS AND RAW MIXES CALLED "ZULU BEATS" ON WHBI DJ AFRIKA ISLAM WINS NEW MUSIC SEMINAR DJ BATTLE (LA) GRAFF STYLE WARS AIRED ON PBS A DOCUMENTARY THAT FOCUSED ON WRITERS OF THAT PERIOD. WRITERS LIKE: MIN, DONDI , DURO CIA, SHY 147 ROC, CAP, CASE 2, MARE 149, SKEME, SEEN AND MANY OTHERS THE FILM ALSO FEATURED FOOTAGE FROM A BATTLE BETWEEN ROCK STEADY AND DYNAMIC ROCKERS MR WIGGLES AND HIS FRIEND WITNESS THE POLICE BEATING OF GRAFF WRITER MICHAEL STEWART WHO LATER DIED IN THE HOSPITAL. we were coming out of the underground night club and saw the police beating him and he was screaming loud so the police beat him more, we walked by and stoped and Willie said wait a minute this aint right, but the police cut him off and said get the fuck out of here or we'll do this to you. so we left. and thenext thing we know the news was splattered with the murder of MICHAEL STEWART. Willie tried to call the news and stuff but they claimed they already had enough wittnesses. HIP HOP/FUNK DANCE ROCK STEADY CREW WERE FEATURED IN THE MOVIE "FLASH DANCE" ROCK STEADY CREW WAS FEATURED IN THE FAMOUS "BUFFALO GALS" VIDEO BY "MALCOLM McLAREN" GLADYS KNIGHT AND THE PIPS FEATURE TOP BBOY CREW "NEW YORK CITY BREAKERS" IN THERE HIT VIDEO "SAVE THE OVER TIME FOR ME" TOP NYC HIP HOP DANCERS PERFORM AT THE KENNEDY CENTER HONORS, HONORING "CATHERINE DUNHAM" FEATURED IN THIS PERFORMANCE WAS, MR. WIGGLES AND FABEL (MAGNIFICENT FORCE), ACTION, KID NICE, GLIDE MASTER, FLIP ROCK, LIL LEP, POWERFUL PEX, AND MR. WAVE (NYC BREAKERS), LIL NORMSKI, ACTIVITY, THE DYNAMIC DOLLS, AND A FEW OTHER DANCERS. "CRAZY LEGS" ( ROCK STEADY CREW) -BATTLES- "LIL LEP" ( NEW YORK CITY BREAKERS) IN A CLUB IN THE BRONX. LEGS SENDS SOMEONE FROM HIS CAMP OVER TO LEP AND SAYS LEGS WANTS TO BATTLE YOU, LEP AGREES, THEY BOTH GO AT IT MOVE FOR MOVE THEN LEP THROWS A ONE SHOT HEADS SPIN, LEGS ANSWERS BACK WITH ONE OF HIS OWN, THEN BEFORE LEP CAN PUT HIS WRIST BAND UP TO DO A 1990, LEGS THROWS IT FIRST. BOOGALOO SHRIMP (TURBO), POP N TACO, AND SHABADOO (OZONE) ARIVE IN NYC ON TOUR WITH LIONEL RICHIE AND HOOK UP WITH MR WIGGLES (magnificent force, rock steady crew), FABEL(magnificent force, rock steady crew), AND PEX(nyc breakers). we practice in there hotel and exchange styles and ideas. it was a meeting grounds where we actually taught and influenced each other before the movies were done. we taught them some breakin and up rockin (you can see the influenece in shrimps footwork and when Shabadoo and Shrimp uprocked on the beach in the movie "BREAKIN") and we explained more detail and history of the culture from graffiti to mcin and terminologies. and in return they also taught us poppin and lockin and showed us how to dress (and you can see in the santa clause scene at the burning spear where we dressed like them when we were poppin in "BEAT STREET") after the practice sessions we all performed for Lionel Richies after show party and continued influencing each other before the movies were filmed. 1984 HIP HOP THE MOVIE "BEAT STREET" CAME OUT AND FEATURED ROCK STEADY CREW, MAGNIFICENT FORCE, NEW YORK CITY BREAKERS, SHANGO, KOOL HERC, TREACHEROUS 3, DOUGIE FRESH,AND MANY MORE LEGENDS... THE MOVIE "BREAKIN" WAS RELEASED WICH FEATURED AN ALL WEST COAST LINE UP. STARING SHABADOO, BOOGALOO SHRIMP, IT ALSO FEATURED POPIN PETE, POP N TACO, ICE T, AND MANY OTHERS. HIP HOP MUSIC DJ CHEESE WINS NEW MUSIC SEMINAR DJ BATTLE (PHILLY) WRITING (GRAFF) HENRY CHALFAUNT ALONG WITH MARTHA COOPER PRODUCED THE FAMOUS GRAFF BOOK "SUBWAY ART" 1984 Duro Cia becomes the first graffiti artist to appears on the front cover of a book call "Getting Up" subway graffiti in new york city by craig castlman time line in 1981 Duro Cia, Shy147, Crash, Lady Pink Ali sa, meets with the chairman of the mta where they declear war with transit and art :vs: transit was born. HIP HOP/ FUNK DANCE both movies "BEAT STREET", and "BREAKIN" were released and major tours began all over the world. It was in France that the BEAT STREET tour finally clashed with the BREAKIN tour. we all went to a club in Paris. we jamed all night and continued the exchange of respect and culture. and as NYC bboys we were very impressed with SHRIMPS footwork at the time. CHAKA KHAN FEATURED BOOGALOO SHRIMP, SHABADOO, AND POP N TACO IN HER HIT VIDEO "I FEEL FOR YOU" KLYMAX FEATURES AN ALL TIME GREAT POPPER POP N TACO IN THE "MEETING IN THE LADIES ROOM VIDEO" FAST BREAK ( MAGNIFICENT FORCE) -BATTLES CRAZY- CRAZY LEGS(RSC) DURING THE FILMING OF THE BATTLE SCENE OF THE MOVIE BEAT STREET. THEY GET INTO A SHORT BUT HEATED BATTLE WITH BOTH THROWING ALOT OF FOOTWORK, FAST BREAK DOES SOME TOP ROCK AND THEN YELLS "COMBINATIONS FOR THE NATIONS CRAZY LEGS" AND JUMPS INTO A CLASSIC FAST BREAK RUN,LEGS ANSWERS BACK WITH AN AMAZING RUN OF HIS OWN, THEN IVEY ICE JUMPS IN A THROWS SOME POWER COMBINATIONS AND THE CYPHER ENDS. "KEN SWIFT"(ROCK STEADY CREW) - BATTLES- "ACTION" (NYC BREAKERS) DURING THE BEAT STREET TOUR IN FRANCE. THE OUT COME: KEN SWIFT STARTS TO PUT IT ON ACTION, AND ACTION GOES IN HIS BAG AND PULLS OUT A MOTORCYCLE HELMIT AND DOES HEAD SPINS. THIS MARKS THE FIRST TIME "HELMIT" WERE USED IN A BATTLE. THE BATTLE EVENTUALLY TURNS INTO A CREW SCENERIOAND ENDS IN A DEBATE ABOUT THE HELMIT. INCREDIBLE BREAKERS TAKES IT TO KEN SWIFT AT THE ROXY, KENNY BEING BY HIM SELF THAT DAY, INCREDIBLE STARTS THROWIN THERE INOVATIVE POWER MOVES THAT THEY ARE WELL KNOWN AND RESPECTED FOR, KEN SWIFT THROWS HIS FUNKY COMBOS AND FREEZES CLOWNING CHINO'S BUMMY SNEAKERS, THEN FLIP ROCK JUMPS IN FOR KENNY AND THE BATTLE HEATS UP. BUT THE OVER ALL OUT COME IS DEBATABLE, BUT THE WORD ON THE STREETS IS INCREDIBLE WAS TOO ILL WITH THE POWER FLAVA. 1985 HIP HOP MUSIC DJ EASY G ROCKWELL (NYC) WINS NEW MUSIC SEMINAR DJ BATTLE MC BUZY BEE (NYC) WINS THE NEW MUSIC SEMINAR MC BATTLE HIP HOP/FUNK DANCE ICEY ICE BATTLE THE YOUNG UP AND COMING BBOY FREDDIE FRESH FREDDY HAD STUDIED ICE'S STYLE AND TOOK HIS MOVES TO THE NEXT LEVEL, THE BATTLE WAS HEATED WITH FREDDIE DOIN AN ICEY ICE MOVE AND SAYING "I BEAT YOU WITH YOUR OWN MOVES" OVER ALL THE BATTLE WAS SAID TO HAVE BEEN WON BY FREDDIE FRESH 1986 HIP HOP MUSIC DJ JAZZY JEF (PHILLY) WINS NEW MUSIC SEMINAR DJ BATTLE MC GRAND MASTER CAZ (NYC) WINS THE NEW MUSIC SEMINAR MC BATTLE DJ CHEESE (US) WINS THE WORLD TECHNICS DMC DJ COMPETITION HIP HOP/FUNK DANCE ORCO (LA) -BATTLES- GERMAN (BRONX) TWO OF THE WORLDS BEST POWER MOVER COLIDE AT THE CLUB "DEVILS NEST" IN THE BRONX. IT TURNS INTO A HEAD SPIN BATTLE WITH ORCO BEATING GERMAN. FIRST OG HIP HOP DANCER TO ACCOMPLISH A BROADWAY SHOW. MR. WIGGLES AND STEVE GLAVIN WERE AMONG THE FIRST TWO DANCERS TO ACHIEVE THIS IN THE TONY AWARD WINNING SHOW, "MYSTERY OF EDWIN DROOD". WIGGLES WOULD GO ON TO PERFORM IN TWO MORE BROADWAY SHOWS. "CHESS", AND "LARGELY NEW YORK" 1987 HIP HOP MUSIC THE ALBUM "CRIMINAL MINDED" HIT THE STREETS AND PUT BOOGIE DOWN PRODUCTIONS ON THE MAP. THE ALBUM IS NOW CONSIDERED ONE OF THE GREATEST HIP HOP RECORDS OF ALL TIME SCOTT LA ROCK AND KRS ONE MAKE UP THE GROUP SCOTT LA ROCK IS KILLED IN A VIOLENT MURDER IN THE BRONX. AND A LEGEND IS CREATED. THE KOOL MOE DEE -VS- LL KOOL J BATTLE ON WAX BEGINS WITH MOE DEE'S HOW YA LIKE ME NOW, AND THEN LL'S JACK THE RIPPER. MOE DEE WOULD THEN HIT HIM WITH A CLASSIC REBUTTAL "LETS GO". THEY WOULD CARRY ON UNTIL THEY FINALLY MET AT A CONCERT IN ST LOUS.(CHECK 1988) DJ CASH MONEY (PHILLY) WINS NEW MUSIC SEMINAR DJ BATTLE MC GRAND MASTER MELLE MEL(NYC) WINS THE NEW MUSIC SEMINAR MC BATTLE DJ CHAD JACKSON (UK) WINS THE WORLD TECHNICS DMC DJ COMPETITION 1988 HIP HOP MUSIC KOOL MOE DEE FINALLY CATCHES LL KOOL J AT A CONCERT IN ST. LOUIS AND PUTS A SPOT LIGHT ON LL AND CHALLENGED HIM TO A BATTLE ON STAGE. LL WOULD REFUSE, SO MOE DEE WENT INTO THE FAMOUS RHYME BREAKING DONE THE LETTERS " LL" AND SLAMMED THE MIC ON THE FLOOR IN VICTORY. DJ SCRATCH (NYC) WINS NEW MUSIC SEMINAR DJ BATTLE MC MICKEY D (NYC) WINS THE NEW MUSIC SEMINAR MC BATTLE DJ CASH MONEY (US) WINS THE WORLD TECHNICS DMC DJ COMPETITION 1989 HIP HOP MUSIC ONE OF HIP HOPS GREATEST MC'S PASS AWAY "MC COWBOY" FROM THE FURIOUS FIVE MC'S DJ MIZ (PHILLY) WINS NEW MUSIC SEMINAR DJ BATTLE MC FRESHCO(PHILLY) WINS THE NEW MUSIC SEMINAR MC BATTLE DJ CUTMASTER SWIFT (UK) WINS THE WORLD TECHNICS DMC DJ COMPETITION 1990 HIP HOP MUSIC DJ STEVE D (NYC) WINS NEW MUSIC SEMINAR DJ BATTLE MC KID JAZZ (NYC)WINS THE NEW MUSIC SEMINAR MC BATTLE DJ DAVID (GERMANY) WINS THE WORLD TECHNICS DMC DJ COMPETITION HIP HOP/FUNK DANCE "BATTLE OF THE YEAR'S" FIRST EVENT ORIGINALLY TITLED "THE INTERNATIONAL BREAKDANCE CUP" FEATURED PERFORMANCES BY: TDB (Germany/UK),Crazy Force Crew (Switzerland), City Rockers (Germany) . A BBOY CREW FROM EUROPE "BATTLE SQUAD" COMES TO NYC TO SEEK OUT OLD SCHOOL DANCERS THAT INSPIRED THEM . STORM, NEXT ONE (MAURITZIO), AMILIO, SWIFT ROCK, AND BGIRL MUCHELA MAKE A MAJOR IMPACT ON NYC BBOYS AND ARE CREDITED FOR HELPING TO PRESERVE THE DANCE FORMS IN EUROPE AS WELL AS TAKING POWER MOVES TO A HIGHER LEVEL. 1991 HIP HOP MUSIC "SOURCE MAGAZINE" THROWS THE "WILD STYLE '91 JAM" FEATURING COLD CRUSH FOUR, ROCK STEADY CREW, KRS ONE, POOR RIGHTEOUS TEACHERS, AND ULTRA MAGNETIC MC'S. DJ SUPREME (DC) WINS NEW MUSIC SEMINAR DJ BATTLE MC SERGE (CLEVELAND) WINS THE NEW MUSIC SEMINAR MC BATTLE DJ DAVID (GERMANY) WINS THE WORLD TECHNICS DMC DJ COMPETITION HIP HOP/FUNK DANCE JIMMY CASTOR INVITES THE ROCK STEADY CREW TO PERFORM WITH HIM AT CLUB S.O.B. TO A LIVE VERSION OF A BBOY ANTHEM "ITS JUST BEGUN" CRAZY LEGS, KEN SWIFT, BUCK 4, MR WIGGLES, AND FABEL DANCED ON THIS NIGHT. IT WOULD BE BUCK 4'S LAST PERFORMANCE THE TURTLE MASTER BBOY "BUCK 4" PASSES AWAY THE AWARD WINNING DANCE DOCUMENTARY 'EVERYBODY DANCE NOW" AIRS NATION WIDE ON PBS FEATURING "CRAZY LEGS AND MR WIGGLES" OF THE ROCK STEADY CREW. HELPING TO TRIGGER THE RE EMERGENCE OF ORIGINAL HIP HOP DANCE. THE "ROCK STEADY CREW" AND THE " RHYTHM TECHNICIANS" PERFORM THE PLAY TITLED "SO WHAT HAPPENS NOW?" AT PERFORMANCE SPACE 122 A PIECE INSPIRED BY THE DEATH OF FAMED BBOY "BUCK 4" THIS SHOW WOULD EVENTUALLY LEAD THEM TO FORMING THE GROUP "GHETTORIGINAL" "BATTLE OF THE YEAR" HAS THERE FIRST BATTLE WITH THE WINNERS BEING:BATTLE SQUAD FROM GERMANY 1992 HIP HOP MUSIC DJ MIX MASTER MIKE WINS NEW MUSIC SEMINAR DJ BATTLE (SF) ROCK STEADY DJ'S (Q BERT, MIX MASTER MIKE, AND APOLLO, US) WIN THE WORLD TECHNICS DMC DJ COMPETITION HIP HOP/FUNK DANCE THE ROCK STEADY CREW AND RHYTHM TECHNICIANS WOULD PERFORM IN THE KENNEDY CENTER HONORS , HONORING NON OTHER THAN THE "NICHOLAS BROTHERS", THEY RECEIVED A STANDING OVATION LED BY GREGORY HINES, AND WERE SECRETLY TAKEN BACK TO A CLOSED ROOM E BY THE REQUEST OF" GENE KELLY" JUST SO HE CAN PERSONALLY MEET THEM. 1993 HIP HOP MUSIC A TRIBE CALLED QUEST PUT OUT THERE THIRD LP FEATURING A WHO IS WHO IN HIP HOP COVER AN OLD SCHOOL MEETS THE PRESENT SCHOOL COLLABORATION. IN WHICH ROCK STEADY CREW ALSO PARTICIPATED. DJ 8 BALL (SF) WINS NEW MUSIC SEMINAR DJ BATTLE MC SUPERNATURAL(NYC) WINS THE NEW MUSIC SEMINAR MC BATTLE THE DREAM TEAM (ROCK STEADY DJ'S) WINS THE WORLD TECHNICS DMC DJ COMPETITION "BATTLE OF THE YEAR" winners are : Rocksteady Crew (UK Chapter) 'Awayz Rokin Tuff'...Tom TC Break,Tuff Tim Twist,Evo and Dizzy Lee..1993 European Battle of the Year Champions....Peace Kev Mono 1994 HIP HOP MUSIC DJ NOISE (DENMARK) WINS NEW MUSIC SEMINAR DJ BATTLE JUDGEMENTAL (CHICAGO) WINS THE NEW MUSIC SEMINAR MC BATTLE DJ GHETTO (PHILLY) WINS THE US EAST COAST DMC CHAMPIONSHIP, DJ SHORTCUT(SF) WINS THE US WEST COAST DMC CHAMPIONSHIP HIP HOP/FUNK DANCE THE FIRST" BBOY SUMMIT" WAS PRODUCED ON AUGUST 31'st IN ATTENDANCE WAS ROCK STEADY, AND AIR FORCE THE BBOY SUMMIT WILL BECOME A TOP ANNUAL EVENT FOR HIP HOPERS ALL OVER THE WORLD TO GATHER. 1995 HIP HOP MUSIC 94/95 DJ ROC RAIDA WINS THE WORLD TECHNICS DMC DJ COMPETITION Eric Wright died the 26th March 1995 after only two month of knowing he had aids HIP HOP/FUNK DANCE FEB '95, LIL CAESAR FROM THE AIR FORCE CREW TAKES OVER A LEGENDARY WEST COAST EVENT AND BRINGS IT BACK."THE RADIOTRON" BECOMES ANOTHER OUTLET FOR WEST COAST BBOYS, POPPERS, AND LOCKERS, AS WELL AS THE ENTIRE CULTURE IN THIS BATTLE RENEGADES TIE FOR FIRST AGAINS FREESTYLE, THAT MADE FOR AN HISTORICLA BATTLE RENEGADES BATTLE STYLE ELEMENTS CREW AT THE RADIOTRON IN CALIFORNIA WITH STYLE ELEMENTS CREW THE WINNERS, A CLASSIC BATTLE BETWEEN TWO YOUNG GROUPS REPPIN FOR THE FUTURE OF BBOYIN. "ROCK STEADY CREW" -VS- THE JAPANESE CREW "IMPERIAL JB'S" AT THE 95 BBOY SUMMIT. DECISION WAS MIXED THE FIRST REAL HIP HOP SHOW TO HIT OFF BROADWAY OPENS AT THE MINNETTEA LANE THEATER NYC "JAM ON THE GROOVE" FEATURING GHETTORIGINAL DANCE COMPANY 1996 HIP HOP MUSIC DJ NOISE (DENMARK) WINS THE WORLD TECHNICS DMC DJ COMPETITION HIP HOP/FUNK DANCE "ROCK STEADY" -VS- THE YOUNG AND UP AND COMING "STYLE ELEMENTS CREW" AT BBOY SUMMIT '96 DECISION WAS A TOSS UP. BUT REMIND BECAME AN INSTANE STAR IN THE BBOY WORLD WITH HIS GUTSY ADITUDE. ACCORDING TO "KUJO" BBoy Summit 3, February '96. BBoy Cisco from Sunflower Breakers begins to battle against Stretch and Ruby Real from Rock Steady. Members from Goof Troop and Floor Rockers soon join the battle, and eventually Style Elements jumps in RADIOTRON #4 ACCORDING TO "KUJO" Radio Tron 4, February '96. X-Men from Bakersfield took 1st place, and a brand new crew called Soul Control took a close second. Soul Control had an almost totally different lineup at the time, and it even included the bboy now known as Iron Monkey. Flat Top wins the popping contest. OCT.96, RENEGADES -BATTLES- ROCK STEADY AT A JAM PUT TOGETHER BY ORCO CALLED THE BATTLE ZONE IT GOT KINDA HEATED WHEN SWAY FROM RENEGADES DID A NASTY DISS TOWARDS ASIA ONE AND EASY ROCK RIGHTFULLY JUMED IN AND BEEF ED. BUT RENEGADES WERE HOT THAT NIGHT. JAZZY J WAS IN GREAT FORM. ACCORDING TO "KUJO" Battle Zone, circa October '96. Renegades (Jazzy J, Wicket, Zwae) vs. Rock Steady (Flomaster, Orco, Easy Roc, Asia, Yoski, Stretch, Ruby Real, and I think Honey Rockwell). The battle ends when Easy Roc strikes Zwae, and Zwae gets the shit beaten out of him by security guards. The security guards are stopped by none other than Fresh. Zwae is then thrown out of the venue. RADIOTRON # 7 ACCORDING TO "KUJO" Radio Tron 7, October '96. Soul Control wins the bboy crew competition, Flat Top wins the popping contest (again). 1997 HIP HOP MUSIC DJ A TRAK (CANADA) WINS THE WORLD TECHNICS DMC DJ COMPETITION HIP HOP/FUNK DANCE STYLE ELEMENTS - BATTLE- ROCK FORCE AT THE "TRIBUTE TO THE ELEMENTS " JAM ROCK FORCE'S GERALD MAKES A GOOD SHOWING AND GIVE SEC A RUFF BATTLE, BUT SECREW PULLS IT OFF FEB. BBOY SUMMIT 4 '97 WHAT SEEMED LIKE A NORMAL PEACEFUL HIP HOP GATHERING ENDED IN A RIOT, WITH THE LA POLICE TAKING THINGS TO FAR, WHILE EXAGGERATING A SO CALLED POLICE BEING HELD HOSTAGE IN THE OUT DOOR EVENT, THE LA POLICE CAME IN RIOT GEAR AND WERE SEEN ON FILM BEATING PASSER BY'S THAT HAD NOTHING TO DO WITH THE EVENT. ASIA ONE EVENTUALLY SUED THE LA POLICE FOR THERE GOOF UP. March '97. BBoy Profit of Goof Troop died from gunshot wounds received in a drive-by in L.A. Dozens of L.A. bboys attend his funeral. OCT. 4TH BATTLE OF DA YEAR 97 STYLE ELEMENTS (USA) WINS THE EVENT WITH INCREDIBLE EASE AND EVEN SUCKERS THERE OPPONENTS INTO AN UNEXPECTED POSE FOR A PHOTO AFTER A MEMBER A SEC LANDS A FLIP INTO A FREEZE WITH HIS ARM AROUND A MEMBER OF SOUTH SIDE ROCKERS, THAT DESTROYED ALL HOPE FOR THE GERMAN BASED CREW. BEST SHOW: SOUTH SIDE ROCKERS BEST DANCER: CRUMBS NOV. 21ST, A WEST COAST BROTHA BY THE NAME OF CROSS ONE PRODUCES THE FIRST "FREESTYLE SESSIONS EVENT/ BBOY BATTLES #1" WITH BBOY IVAN MASTERING THE LATEST POWER MOVE WITCH HE CALLED THE STAR TRACK, BUT WOULD LATER BE INNOVATED IN MANY FORMS, ONE MORE NOTABLE THE AIR FLARE. THIS STYLE OF MOVE HAS BEEN CREATED IN MANY DIFFERENT AREAS AND STYLE. THE MOST NOTABLE INNOVATORS OF THIS MOVE ARE ICEY ICE: NINJA FREEZE(NYC), FREDDIE FRESH: THE AXLE (NYC), FRESH: THE 360 FULL TWIST(CALI), AND JAZZY J: THE AIR FLARE (CALI). . Soul Control vs. Abstract Flava/West Coast Rockers, results in a tie. Radio Tron 8, early/mid '97. Abstract Flava wins the bboy crew competition. Their group includes Frankie Flav, Ruin, Iron Monkey, Poe from SEC, Cuser, Brik Roc, G-Wiz and his brothers, and Stuntman. Thomas Guzman, of Chain Reaction, shows his documentary on locking and popping (I forget the name) publicly for the first time at this event. Air Force Crew performs with a reformed New York City Breakers as a gesture of good will and peace between the West and East coasts December '97. The music video Run DMC vs. Jason Nevins, "It's Like That," filmed. Includes Kujo, Man One (Renegades), Will Power and Mr. Animation (Air Force Crew), Asia One, Cuser (LA Breakers), Medusa, others. Dancing is "choreographed" by Lil Cesar (Air Force Crew). 1998 HIP HOP MUSIC DJ CRAZE (US) WINS THE WORLD TECHNICS DMC DJ COMPETITION WRITING (GRAFF) "DONDI" BORN "DONALD WHITE" 37 YEARS AGO, PASSED AWAY ON OCT.2 , DUE TO COMPLICATIONS RELATED TO PNEUMONIA. HIP HOP/FUNK DANCE KMEL BATTLES STORM (GERMANY) AND CATCHES HIM OUT THERE IN A CYPHER. OVER ALL CONSENSUS, KMEL WON. FREESTYLE SESSIONS #2 FEATURES A BATTLE BETWEEN KAITEN CLUB-VS- SOUL CONTROL WHERE AIR FLARE COMBINATIONS WERE POPULARIZED BY MEGAMAN, AND SOUL CONTROL Soul Control vs. Kaiten Club Breakers, aka Guru Guru Ibaraki (Japan). Abstract Flava (under another name) defeats Foot Soldiers (now known as Rhythm Bugs), from San Diego, in the crew competition. Floor Wars 2, mid-'98. Enerjetic and Tails vs. Remind and Flomaster. Chuck and Omar Love of Soul Control defeat Remind and Flomaster in the finals. Ultimate BBoy Session 2, April '98, Germany. USA vs. Europe, 2 on 2 exhibition battle: Kujo (Soul Control) and Man One (Renegades) vs. Benny (Basel City Attack/Flying Steps) and Karim (Actuel Force/The Family), as well as Mauricio (RSC). NOV. 7TH BATTLE OF DA YEAR ROCK FORCE (USA) WINS A CONTROVERSIAL BATTLE AGAINST THE FAMILY( OUT OF FRANCE) BECAUSE OF A MEMBER OF THE FAMILY BREAKING A NUMBER ONE RULE OF BATTLING. NEVER TOUCH AN OPPONENT. NOV. 20TH, FREESTYLE SESSIONS #3 FEATURES A BATTLE WITH AN AMAZING ALL STAR BBOY TEAM THE FLYING TORTILLAS (FLO MASTER, POE ONE, STORM, IVAN, WICKET, SPIRIT, SUPER DAVE) -VS- SOUL CONTROL (WITH PABLO DOIN TWO AIR FLARES IN A ROW) December '98. BBoy Gerald (Rock Force Crew) is shot in a drive-by. Later fully recovers 1999 HIP HOP FEB. 15TH A WELL RESPECTED MC "BIG L" WAS SHOT AND MURDERED IN HARLEM SEPT. 10-12, ROCK AND ROLL HALL OF FAME HONORS HIP HOP LEGENDS WITH A HIP HOP MUSEUM AND CONFERENCE TITLED "Roots, Rhymes and Rage: The Hip Hop Story." FEATURING SUCH LEGENDS AS DJ KOOL HERC, DON CAMPBELLOCK (INVENTOR OF LOCKING), BOOGALOO SAM (INVENTOR OF POPING), AFRIKA BAMBAATA,KRS ONE, DST,GRAND MASTER FLASH, GRAND WIZARD THE ADORE, KEN SWIFT, THE ELECTRIC BOOGALOOS, HENRY CHALFAUNT, CHUCK D, AND MANY OTHERS. HIP HOP/FUNK DANCE BBOY SUMMIT "FLO MASTER" AND "WICKET" OF THE FOOTWORK FANATIX CREW BATTLES "K MEL" AND "WICKED" OVERALL CONSENSUS WAS FLO AND KMEL WAS A TOSS UP, WITH ALLOT OF PEOPLE LEANING TOWARDS KMEL. BUT WICKET(FF) WAS THE STAR THAT NIGHT BEATING WICKED WITH JUST FLAVA AND FOOTWORK. ALSO DURING THIS EVENT: SKEETER RABBIT BATTLES THE LEGENDARY CREATOR OF "BOTIN" BOPIN ANDRÉ. THERE WAS ALLOT OF TALKIN BACK ANDRÉ FORTH, THAT ALMOST LED TO A CREW BATTLE, ANDRÉ, BOPIN RON, AND BOPIN PRINCE AGAINST THE BOOGALOOS, BUT SKEET TOOK OVER THAT DAY, AND THE OVER ALL CONSENSUS WAS SKEET WON. K MEL STEPS TO BBOY IVAN AND WHAT STARTED OUT AS A BATTLE TURNED INTO A SH$T TALKIN MATCH. NO MATTER KMEL GETS THE PROPS FOR TAKIN IT TO EVERYBODY WIN LOOSE OR DRAW. SKEETER RABBIT BATTLES THE LEGENDARY CREATOR OF "BOTIN" BOPIN ANDRÉ. THERE WAS ALLOT OF TALKIN BACK ANDRÉ FORTH, THAT ALMOST LED TO A CREW BATTLE, ANDRÉ, BOPIN RON, AND BOPIN PRINCE AGAINST THE BOOGALOOS, BUT SKEET TOOK OVER THAT DAY, AND THE OVER ALL CONSENSUS WAS SKEET WON. ZULU ANNIVERSARY, KENS SWIFT AND K MEL GET INTO HEATED EXCHANGES DURING A BBOY CYPHER, K MEL STEPPED TO KENNY AND THE BATTLE KEPT STOPPIN AND GOING FOR THE WHOLE NIGHT. OVER ALL CONSENSUS, KEN SWIFT GOT THE BEST OF HIM . THE FIRST "FUNK STYLES" EVENT WAS THROWN BY THE " ELECTRIC BOOGALOOS" TO FOCUS ON POPPIN AND LOCKIN. THE TWO MAIN COMPONENTS TO FUNK DANCE. WITH PERFORMANCES BY THE ELECTRIC BOOGALOOS, DEMONS OF THE MINDS, TETSU AND OZ FROM JAPAN Freestyle Session 4, February '99. Soul Control/Flying Steps vs. some super crew consisting of Iron Monkey, Bug I'd Bandit, Homwerk, Wyze9, West Coast Rockers, others. SEPT. 18TH BATTLE OF DA YEAR SUICIDAL LIFE STYLES( HUNGARY) BEATS ROCK FORCE ( USA) FOR 1ST PLACE. 2000 HIP HOP/FUNK DANCE BBoy Summit 6, February '00. Massive Monkees (Juseboogie and Twixx) win 2 on 2 contest. ROCK STEADY ANNIVERSARY A SPECIAL SET UP FOR THE BATTLES, THREE ROUNDS 1ST ROUND TOP ROCK, 2ND ROUND FOOTWORK, 3RD ROUND GO ALL OUT. BATTLES INCLUDE HEATED MOMENTS WITH TECHNIQUE DESTROYING REVEAL, AND VIETNAM COMING BACK FOR VENGEANCE AND DESTROYING TECHNIQUE, THE BATTLE ENDS WITH YOUNG BBOY SHORTY FROM VEGAS BEATING VIETNAM IN A CONTROVERSIAL DECISION UK BBoy Championships, Suicidal Lifestyle from Hungary defeats Barcelona Addictos from Spain in the finals. Freestyle Session 6, November '00. Souls of Fire (Soul Control and Circle of Fire) vs. Knuckle Head Zoo, Souls of Fire vs. Battle Monkeys (Kujo head-butts Do-Knock), Massive Monkees vs. Battle Monkeys, Cali-Texas vs. HaviKoro, Battle Monkeys vs. HaviKoro. Cali-Texas defeats Massive Monkees in the finals. OFF National Championships, December '00. Rhythm Bugs vs. Skill Methods, HaviKoro vs. Circle Of Fire. HaviKoro defeats Skill Methods in the finals. OCT. 14TH BATTLE OF DA YEAR FLYING STEPS(GERMANY) BEATS WASEDA(JAPAN) FOR 1ST PLACE 2001 WRITING (GRAFF) MARE 139 DESIGNS THE LIFETIME ACHIEVMENT AWARD FOR BET'S MUSIC AWARDS. WHITNEY HOUSTON WILL BE THE FIRST ARTIST TO RECIEVE THIS GRAFF INSPIRED SCULPTURE. His approach to the BET award was inspired by a new concept called "transitism" which deals with the intellectual interpretation of Wild Style art, movement, forms and light. "Elements of Transitism were utilized in the creation of BET's award", said Rodriguez. " I wanted the award to allude to excellence, understating a rise above diversity with the intersecting of star powers to represent will and force. HIP HOP DANCE THE FIRST ANNUAL "LORDS OF THE FLOOR" EVENT TOOK PLACE IN SEATTLE MAY 12, SPONSORED BY REDBULL 1ST PLACE: LA BREAKERS, 2ND PLACE: BOOGIE BRATS, 3RD PLACE, STYLE ELEMENTS ALSO AN UNEXPECTED GRUDGE MATCH BETWEEN KEN SWIFT AND KMEL IN THE AFTER PARTY. "WHO CAN ROAST THE MOST" Mrach 3RD and 4th 2001(Miami,Florida) For the 1st time ever battles are setup in Boxing match type themes using one bboy from Florida and one from somehwere else which were voted in online ABSTRAK VS. REMIND BEBE VS. VEITNAM LEGO VS`. JUSE BOOGIE EKSZOOBERANT VS. GHOST BETA VS. SOULSTICE CANDY VS. A-BGIRL these competitors went at it for a grueling 10 rounds and to add to the conterversy no judges. (WHO CAN ROAST THE MOST? 5 OCTOBER 5TH AND 6TH 2001 K-MEL VS REVEAL CLOUD VS. MOY BOO ROK VS. LIL ROK TELLS 1 VS. IRON MONKEY FLIPZ VS. CHINO PRIZM VS. REINEN DEVEE VS. BIONIC MAN) 2002 HIP HOP MUSIC Legendary hip-hop DJ Jam Master Jay of Run-DMC was shot and killed in a Queens studio on Wednesday (October 30) 2003 RESOURCES: MY OWN EXPERIENCES, Henry A. Rhodes, GIVE THE DRUMMER SOME (JIM PAYNE) AT FUNKYDRUMMER.COM, STRESS MAG (13), STYLE: WRITING FROM THE UNDERGROUND (STAMPA ALTERNATIVA/ IGTIMES), AUDIONAUGHTS.COM, UNITEDUPROCKERS, VAUGHN & MARK BODE, HIPHOP25.COM, TRAC 2. JOJO, THE TWINS, CRAZY LEGS, KEN SWIFT, DJ KOOL HERC, AFRICA BAMBATTA, THE ZULU NATION, RSC, FAST BREAK, GM DST,GM FLASH AND THE FURIOUS FIVE, COLD CRUSH FOUR, WHIPPER WHIP, COCO144, FABEL, THE ELCTRIC BOOGALOOS, SUGAR POP, PHASE 2, FROSTY FREEZE, MR FREEZE, LIL LEP, DON CAMPBELLOCK, GREG CAMPBELLOCK JR., PEE WEE DANCE, KUJO, ASIA ONE, CROSS ONE, EGO TRIPS BOOK OF RAP LISTS, JEFF CHANG'S DANCE HALL TIMEMACHINE ARTICLE IN VIBEDEC. 03, Duro CIA 2004 KRS ONE AND MANY OF THE PIONEER'S TAKE THE ISSUE OF HIP HOP TO THE UNITED NATIONS AND NOW HIP HOP IS RECOGNISED AS A UNIVERSAL CULTURE. JAY Z BECOMES THE PRESIDENT OF DEF JAM RECORDS. INTELLEGENT RAP IS RETURNING TO THE MAINSTREAM. DUE TO GLOBAL EVENTS. IN IS NOW OBVIOUS REAL HIP HOP IS RETURNING AS WE SEE ALL ELEMENTS BEING EXPOSED MORE AND MORE. SIGNS OF CANADIAN HIP HOP IS GROWING STRONGER THAT EVER. HIP HOP CONTINUES TO SPREAD THROUGHOUT MORE AND MORE COUNTRIES. ODB R.I.P Information sources from, Krs one Mr wiggles and Zulu nation.

CLICK ABOVE PICTURE FOR A LIST OF HIP HOP LEGENDS
SOME HIP HOP SLANG (During the developement of this culture, a new slang has developed though it changes from coast to coast, even city to city, but certain works basicall stay the same. Hip Hop. (scroll down) aight, aite- all right axe - to axe you a question blood clat, -- DAMN, F--K, or being extremly suprised. dip -- leaving benjamins - Dollars. bounce - Leaving, or lets leave. b4' - before’ da' - the.' dat - that. dis - this. down - I'm up for it. fitty - fifty. flava - flavor flow -to rap. flo' - floor buck - to leave ho - "whore" holla - contact me,. lil' - little mo' - more diss - to show disrespect. mo'fo' - mother f--ker 'sup - what's up bent - intoxicated biatch - bitch bwi - boy koolin' it - kickin' it. chilling. busted - ugly Nigga, yo' girl is BUSTED phat - very cool chillin' - relaxing scrap - to fight. Fugly - Fucking Ugly, She looks fugly Hella - Hell of He's hella cool. hatin' - to jelously criticize cuz - Short for because jet - leave. roll out, bounce popo - cops, police dime, dimebag, dimesack - a ten dollar "bag" of illicit drugs bail - leave I'm gonna bail bo janglin' – stupid, not paying attention word up - that's right or how's it going buggin' - acting in a manner which is not socially acceptable. bumpin' - to one's liking busta cap - to shoot a gun busta move - to act quickly, or to perform a dance move dancing to a different beat - original, lone wolf, non follower Booty - big buttocks on sexy female gangsta - member of a street gang playa - Someone who's really in, someone who's got a lot of respect playa hata - Jelous or envious person. P.H.D. - Player Hater Degree OG - Original Gangster. punk - Looser bling bling - expensive jewelry or other expensive material possessions, refers to the imaginary sound of glistening metal or other shiny surfaces. straight blingin' - made of or decorated with tinsel; glittering metal foil. dope - cool, tight kickin' - appealing Those rims are kickin. posse - one's crowd; suggests readiness to back each other up in trouble, but not necessarily a gang. pussy - lil' punk ass bitch straight - okay, cool. the shit - wikid, awesome, great. tight - attractive. wack (or whack) - not to one's liking This relationship is totally wh/wack. baby mamma - the mother of one's child. bitch - rudegirl boo - boy/girlfriend. boyz - my crew crew - One's good friends (similar to boyz) peeps - people, acquantainces shorty - girl. folk - friend or acquaintance da bomb - cool, appealing. fo shizzle my nizzle - undoubtedly, my nigger, I agree whole heartedly my African-American comrade peace out - good bye what up? - hello? how ya doin? .

UNIVERSAL ELEMENTZ

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